‘according to usage and conventions which are at last being questioned but have by no means been overcome - men act and women appear. Men look at women. Women watch themselves being looked at’ (Berger 1972, 45, 47)
Discuss this quote with reference to one work of art and one work from the contemporary media.
The Birth of Venus, 1486, Sandro Botticelli
Sophie Dahl,Opium, 2000
Our society is a Panopticon for women, there is a sense they are always been watched and looked at, as Berger states 'men act and women appear. Men look at women. Women watch themselves being looked at.'
Visual culture has always been dominated by men, this can be seen in The Birth of Venus from 1486 and in Sophie Dahls Opium advert in 2000. In the time that The Birth of Venus was painted All the art was by men, and all the people buying art would of been men, they controlled the art culture. This has changed women are and have been increasingly involved in the visual culture we see today but it seems not to have changed some aspects of visual media we see today.
In both these images, one from 1486 and one from 2000, the women depicted are viewed in very simliar ways. Both Venus and Sophie Dahl don't return the viewers gaze, allowing the viewer to look at the women un-challenged, and their is a heavy focus on their bodies and not their faces.
In The Birth Of Venus, Venus is a fiction of patriarchal society and the same could be said for the Opium advert, Sophie Dahl can be depicted as the ultimate women that men can watch and fantasise with no interruption.
A Marxist analysis of the subject is that these paintings and images are produced because men rule society, the whole visual culture has become a giant panopticon of men gazing and the female figure.
The gaze can also be linked to Baudrillard's idea of hyperreality,is these images are constantly in the media sexuality and the female figure becomes hyperreal, men believe that this is reality and all women are like these fantasises depicted to them in these images, it has also become apparent that women are starting to believe in these images, and that the hyperreal is become the real.
Friday 23 March 2012
Monday 19 March 2012
Revised Essay
Can an ecologically reformed capitalist society be
achieved or is society too stuck in its pre-ecological ways?
Our current capitalist society has lead us to a
Kleenex culture way of life, where ‘all systems…are built on the assumption
that we must buy more, consume more, waste more, throw away more.’ (Papanek,
1971, p252)
Agreeing with Papaneks view, Orr states ‘we lack the
gene for enough’ (Orr, 2002, p25), which has lead our current society into a
state of constant wants and needs that are unnecessary, leading people to have
‘no ethical obligation to our planetary home.’ (Roszak, 1993, p14) Brands and
companies are gaining from our consumerist society, when the issue of the
environment was brought into their attention they responded by green washing
their campaigns. This has conducted an artificial market; it has become hard to
tell which companies are actually trying to make an ecological difference to
how they run their business and which are using green washing as a front in
their campaigns and products. Capitalism has let consumer culture take over and
ignore the question of social responsibility. In this current state is it
possible to achieve a reformed capitalism or does society need to re-design the
way it works and create a new kind of politics. Orr claims, ‘A reformed
capitalism is still capitalism’ (Orr, 2002, p108), so the latter choice may be
our only option.
‘Recycling is an aspirin, alleviating a rather large
collective hangover…over consumption’ (McDonough & Braungart, 2002, p50),
which has become a very imminent problem.
Product culture and commodity fetishism has been ‘allowed to run wild’
(Panaek, 1995, p47) it has left our planet in a state which it can no longer handle,
the landfills cannot cope with the quantities of materials that are being
thrown away. The materials that are being used for products and packaging have
become too throw away and need to be used less, currently ‘plastic bottles will
be around for between two and four hundred years’ (Papnek, 1995, p39) which is
having detrimental effects on the planet. A lot of the plastic being disposed
off is ending up in Great
Pacific Garbage Patch in the North Pacific Ocean, it is estimated there is
between 700,000 square kilometres to more than 15,000,000 square kilometres
particles of plastic floating around this area of the ocean. The design of products needs to be changed and designers need to
‘consider the whole’ (McDonough & Braungart, 2002, p60), when products are
designed they need to not just become useless waste when their main function has
expired, they need to be designed with ‘cultural, commercial and ecological’
(McDonough & Braungart, 2002, p60) aspects in mind. However Orr argues
‘the problem is not how to produce
ecologically benign products for
the consumer economy, but how to make
decent communities in which
people grow to be responsible citizens and
whole people.’
(Orr, 2002, p12)
Which leads back to the question of if an ecologically
reformed capitalism could work or like Orr states new communities need to
develop which allow people to grow and learn to be responsible citizens and
live ecologically conscientious lives.
However would this lead to a dystopian society, like in Aldous Huxleys ‘Brave
New World’, sold as a utopian society but really under an oppressive
dictatorship. An ecologically sound lifestyle should not be born out of
oppression and dictatorship; it should be ‘built into the structure of daily
life’ (Orr, 2002, p31)
‘6% of the worlds population consumes more than 35% of
its resources’ (Papnek, 1995, p47), this statistic is concerning, cutting back
is something that must be taken seriously. A lot of what goes to waste in a
product is the packaging, a lot of money is spent on the packaging of a product
and a lot of these packages are un-recyclable due to the material they are made
from and the inks used to colour and decorate them. Orr states ‘we waste more
than one million pounds of materials per person per year’, (Orr, 2002, p15) as
well as wasting a lot of money on materials a lot of the money doesn’t even
make its way back to the source of the product,
‘Only about 1 % of the costs of a large box
of cornflakes in the USA goes
to the farmer-the remaining 99% accounts
for packaging, distribution
and
profit for an army of middlemen.’
(Papanek, 1995, p170’)
Even though these facts and statistics are known, the
idea of reducing and using less within packaging does not seem to be slowing
down at any rate that would make a significant difference. ‘Doing more with
less’ (McDonough & Braungart, 2002, p51) would make for a more eco
efficient society and protect our planet and environment. However, society has
an urge, which seems to be engrained into it, ‘To own to buy to consume’ (Papanek,
1995, p184) which creates a competitive consumer market, products fight for a
place on the shelves and to stand out, their packaging is how they grab the
consumers attention, why would they want to tone down their packaging and
possibly become un-noticed next to their brightly coloured, fancy competitors.
As Orr comments ‘the sources of remote tyranny in our time prefer to keep us in
a state of consumer besotted ignorance’, brands and companies want you to
continue to buy their products in all their highly visual packaging and what
seems to be the companies issue is they seem to have ‘a problem with ecological
design.’ (Orr, 2002, p12)
Capitalism’s answer for the waste of materials is
recycling, however capitalism ‘is not famous for protecting environments’ (Orr,
2002, p107), and as McDonough and Braungart state ‘just because a material is
recycled does not make it ecologically benign’ (McDonough & Braungart,
2002, p59). ‘The emphasis should be on reducing consumption rather than
recycling that which has already been consumed.’ (Dobson, 1990, p85) This is the point that needs to be focused on
in society, humanity needs to start fixing its mind into an ecological state,
and incorporate itself into a more ecologically sound way of life. Van Der Ryn and Cowan definition of
ecological design is as follows ‘any form of design that minimizes
environmental destructive impacts by integrating itself with living process.’
(Van Der Ryn & Cowan, 1996, p18) Society needs to not just be recycling,
but minimizing the amount of materials it uses. Recycling is becoming a tactic
that companies use to green wash their products and packaging. Products that
claim to be recycled should be questioned, as Papanek suggests, ‘the
‘environmentally friendly’ recycling imitative started by the plastics industry
should be welcomed with great caution.’ (Papanek, 1995, p39) Recycling products
is the beginning to becoming a more ecological society, but it is by no means a
solution.
The amount of products claiming to be green doubled
between 2007 and 2008 and green advertising of products tripled between 2006
and 2008. These companies claiming to be
green need ‘a deeper understanding of nature’ (Papanek, 1995, p48) before they
can label their products as being environmentally friendly. The products
themselves may have been designed with the environment in mind to some extent,
but still a lot of packaging is not recyclable. ‘Landfills can no longer absorb
such enormous quantities’ (Papnek, 1995, p39) and as Porritt argues ‘it’s time
for the economics of enough’ (Porritt, 1984, p125) as the rate that society is
consuming is become increasingly hard for the planet to handle. Goldsmith
argues that the satisfactions people gain from consumption should be replaced
by ‘satisfactions of a non-material kind…social ones’ (Goldsmith, 1988, p197), this
is something ecological politics aims to achieve. If companies stopped green
washing their products and just cut down on the materials they use it will
produce better implications on communities and society as a whole. When
designing the whole needs to be in mind, Papnek questions the role of design
and ecology as a social issue,
‘The question of ecology as a socially based
priority asks that design
and planning consider sustainability and
social justice as reciprocal
conditions- that saving the planet and
saving the community become
one- inseparable.’
Trying to improve the ecological state of society can
only be achieved if the people designing the products consider sustainability
and the consumers buy responsibly. This all leads back to the main question of
if this can be achieved in our current capitalist society. At the moment ‘our
public priorities…are upside down’ (Orr, 2002, p105) and need to be reformed.
‘Design must be the bridge between human needs,
cultural and ecology’ (Papanek, 1995, p29), as Papanek states, he also claims
that ‘no design stands alone’ (Papanek, 1995, p48), every choice made has a
knock on consequence. When new products are being designed and considered to be
introduced to the consumer market the consequences of that product need to be
thought out, the ecology benefits as well as practical and social benefits must
now be considered. As Orr comments,
‘Ecological design, then, requires not just
a set of generic design skills
but
rather the collective intelligence of a community of people applied
to
particular problems in a particular place over a long period of time’
(Orr,
2002, p9)
We need to abolish these ‘objectification of needs’
(Papanek, 1995, p186) as Marx wrote in Letters in Ricardo, ‘consumerism is not
deeply ingrained in the worlds cultures’ (Papanek, 1995, p186) it is a
superficial phenomenon. If the designers set out to make their products in mind
of an ecological society it could have a knock on effect on product
consumption, if every new product that is designed has been thought out, if it
is necessary, if it will benefit society, then there would be less of a
‘production-consumption-discard cycle.’ (Papanek, 1995, p186) This is a cycle
that can’t continue, so if designers can control it from the source, it will
benefit the whole, a ‘natural capitalism’ (McDonough & Braungart, 2002,
p150) needs to come into action and soon.
The ideology of doing more with less is a mindset that
needs to be applied to society, alongside ideas of sharing not buying and
co-operatives. A reformed state is not
something that can happen over night, it will take time for communities and
society to change the way it runs, but if the ideals of ecology are applied it
could be achieved. ‘Objects alone can never fulfil real human needs and
longings’ (Papanek, 1995, p185) a society needs to be created that is
sustainable but also enriches peoples lives, and fulfils needs and longings in
a way that can’t be bought, that is inherently ingrained into life.
The real issue surrounding an ecological society is
our current state of capitalism, ‘denial is in the air’ (Orr, 2002, p86) and
the question ‘can it (capitalism) be reformed along ecological lines?’ (Orr,
2002, p107) Designers can change they way they think about materials they use
and the necessity of new products, but in the capitalist society there lingers
the question ‘what about the economy.’ (Papanek, 1995, p182) Capitalism and
ecology work on very different values systems and they both aspire to achieve
different things so their compatibility seems to be a far-fetched ideal. ‘Even
a reformed capitalism would still be that works best when people confuse who
they are with what they own’ (Orr, 2002, p108), commodity fetishism seems to be
engrained into the current capitalist state and doesn’t seem to be going
anywhere fast, which doesn’t bode well for ecology. The only real choice seems
to be that a new politics is introduced, one with values better matched to
ecological ideals. As it currently stands ‘Capitalism…Is no more likely to
transform itself into an ecotopia than lions are to become vegetarians.’ (Orr,
2002, p108) However Jefferson quoted ‘the earth belongs to the living and not
to the dead’, (Jefferson, 1816, p244) we should live simply so future
generations can simply live.
(Words-2,064)
Bibliography
Roszak,
T (1993) The Voice of the Earth: An Exploration of Ecopsychology: Phanes Press,
Papanek,V (1971) Design for the Real World, Human
Ecology and Social Change: Thames and Hudson
Papanek,V (1995) The Green Imperative, Ecology and
Ethics in Design and Architecture: Thames and Hudson
Orr,D (2002) The Nature of Design, Ecology, Culture
and Human Intention: Oxford
McDonough,W & Barungart,M (2002) Cradle to Cradle:
North Point Press
Rodgers,H (2010) Green Gone Wrong: Verso
Dobson,A (1990) Green Political Thought: Routledge
Van der Ryn S, Cowan S (1996) Ecological Design: Island Press
Porrit, J (1984) Seeing Green: Oxford,Blackwell
Goldsmith, E & Hillard, N (1986) Green Britian or
Industrial Wasteland?: Oxford, Polity Press
Jefferson,T, (1816) Letter to Charles Yancey, January
6: Bartlett’s Familiar Quotations, 14th Edition
Greenpeace, 2012, Green Washing, (Online), Available
at http://stopgreenwash.org/
Thursday 1 March 2012
Globalisation, Sustainability and the Media
Definitions of Globalisation-
-Socialist- Unified but working together.
-Capitalist- A global market is much better then a national market to them, globalisation is desirable.
-Manfred B.Steger-Globalization: A very Short Introduction
-Macdonalisation of society-american capitalist business dominated the rest of the world.
-Marshall MuLuhan
-The Global Village Thesis- the world would shrink and become an integrated community, the global on a village scale-people being connected would bring us all together.
-Centripetal forces- bringing the world together in uniform global society
-Centrifugal forces- tearing the world apart with tribal wars.
-Who controls the global system?
-Cultural Imperialism- if the global village is run with a certain set of values then it would not be so much as integrated.
-Rigging the 'Free Market'
-Everything you pick up can be traced back to about one of 6 companies.
-US media power can be thought of as a new form of imperialism
-Local cultures destroy in this process and new forms of cultural dependency shaped, mirroring old school colonialism.
-Cultural Imperialism
-Chomsky and Herman- Propaganda Model- 5 Basic filter
-Ownership
-Funding
-Sourcing
-Flak
-Anti Communist ideology
-Rupert Murdoch
-Your news stories are only as good as the stories you're allowed to record.
-Flak-US Based global climate coalition- Information being spread to protect the interest of corporate capitalist companies at the expense of our planet.
-Anti-Ideologies
-Al Gore-'An inconvenient truth'
-Greenwashing
-Environmentalists- See that they can save the planet but keep the system as it is
-Ecologism- The only way to save the planet is to over through the order of the planet.
-Socialist- Unified but working together.
-Capitalist- A global market is much better then a national market to them, globalisation is desirable.
-Manfred B.Steger-Globalization: A very Short Introduction
-Macdonalisation of society-american capitalist business dominated the rest of the world.
-Marshall MuLuhan
-The Global Village Thesis- the world would shrink and become an integrated community, the global on a village scale-people being connected would bring us all together.
-Centripetal forces- bringing the world together in uniform global society
-Centrifugal forces- tearing the world apart with tribal wars.
-Who controls the global system?
-Cultural Imperialism- if the global village is run with a certain set of values then it would not be so much as integrated.
-Rigging the 'Free Market'
-Everything you pick up can be traced back to about one of 6 companies.
-US media power can be thought of as a new form of imperialism
-Local cultures destroy in this process and new forms of cultural dependency shaped, mirroring old school colonialism.
-Cultural Imperialism
-Chomsky and Herman- Propaganda Model- 5 Basic filter
-Ownership
-Funding
-Sourcing
-Flak
-Anti Communist ideology
-Rupert Murdoch
-Your news stories are only as good as the stories you're allowed to record.
-Flak-US Based global climate coalition- Information being spread to protect the interest of corporate capitalist companies at the expense of our planet.
-Anti-Ideologies
-Al Gore-'An inconvenient truth'
-Greenwashing
-Environmentalists- See that they can save the planet but keep the system as it is
-Ecologism- The only way to save the planet is to over through the order of the planet.
'The propaganda model was put forward by Noam Chomsky and Edward S. Herman in “Manufacturing Consent” (1988) to account for what gets reported as news in America.'
Thursday 16 February 2012
Task 3-Hyperreality
Write a short analysis (300 words approx) of an aspect of our culture that is in some way Hyperreal.
'Hyperreality is used in semiotics and postmodern philosophy to describe a hypothetical inability of consciousness to distinguish reality from a simulation of reality, especially in technologically advanced post-modern societies. Hyperreality is a way of characterizing what our consciousness defines as "real" in a world where a multitude of media can radically shape and filter an original event or experience.'
An example of hyperreality is Las Vegas, you can go to Las Vegas and see the Eiffel Tower and Venetian canals, empire state building and pyramids all at once. Baudrillard studies how hyperreality effects us, when the un-reality masks the reality. This can be seen in Las Vegas, people go to Las Vegas and they can see monuments from all over the world without having to get on an aeroplane more than once, you would never get all these monuments in the same place in reality so this situation becomes hyperreal.
'It is the generation by models of a real without origins or reality: a hyperreal' (Baudrillard), this discribes Las Vegas well, it is all based on reality but have been scaled down, lit up, made more accessible and exciting, to the point people would rather see the copies than the reality. It is when the copy becomes more known than the original that hyperreality becomes what our consciousness defines what is real, when it it is just a copy of the real, the reality.
Like Las Vegas, New York can also be viewed as a hyperreality,people get the idea of New York from films and television. People think it's a romantic place because they have seen it on a film, their idea comes from a movie which is a simulacra of New York itself. It bodes the question, can we ever get an original idea of New York for ourselves? What people see in films and television it taking over the true reality of New York, Las Vegas and places similar, has it got to the point where we'd rather stare at the wall of Platos cave then face the harsh reality of the true world.
'Hyperreality is used in semiotics and postmodern philosophy to describe a hypothetical inability of consciousness to distinguish reality from a simulation of reality, especially in technologically advanced post-modern societies. Hyperreality is a way of characterizing what our consciousness defines as "real" in a world where a multitude of media can radically shape and filter an original event or experience.'
An example of hyperreality is Las Vegas, you can go to Las Vegas and see the Eiffel Tower and Venetian canals, empire state building and pyramids all at once. Baudrillard studies how hyperreality effects us, when the un-reality masks the reality. This can be seen in Las Vegas, people go to Las Vegas and they can see monuments from all over the world without having to get on an aeroplane more than once, you would never get all these monuments in the same place in reality so this situation becomes hyperreal.
'It is the generation by models of a real without origins or reality: a hyperreal' (Baudrillard), this discribes Las Vegas well, it is all based on reality but have been scaled down, lit up, made more accessible and exciting, to the point people would rather see the copies than the reality. It is when the copy becomes more known than the original that hyperreality becomes what our consciousness defines what is real, when it it is just a copy of the real, the reality.
Like Las Vegas, New York can also be viewed as a hyperreality,people get the idea of New York from films and television. People think it's a romantic place because they have seen it on a film, their idea comes from a movie which is a simulacra of New York itself. It bodes the question, can we ever get an original idea of New York for ourselves? What people see in films and television it taking over the true reality of New York, Las Vegas and places similar, has it got to the point where we'd rather stare at the wall of Platos cave then face the harsh reality of the true world.
Thursday 9 February 2012
Deleuze and Guattari and Creativity
Aim- To examine how Deleuze and Guattari draw emphasis to the constructed and contingent nature of social reality.
-Student and worker protests in Paris-directly challenge the French state.
-A Thousand Plateus.
-Concept (signified)
Sounds/Image (Signifier)
-Student and worker protests in Paris-directly challenge the French state.
-A Thousand Plateus.
-Concept (signified)
Sounds/Image (Signifier)
Monday 6 February 2012
Jean Baudrillard and Hyperreality Seminar
-Plato's allegory of the Cave- metaphor for society
-Prisoners kept in the cave, all the can see is the shadows that are cast on the wall of the cave.
-The prisoner believe the shadows to be reality, its all the know.
-It realities to our society in the way that mass media is shown to us.
-This is where Baudrillard project starts- how un-reality masks reality.
-How commodity cultures create alternative realities, which makes reality hard to access.
-Haddon Sundblom illustrations- Coca-Cola adverts
They give santa a red and white outfit, this is the image of Santa that is always seen and used, Coca Cola made santa red and white, they picked one story and made that the reality that this has always been the father christmas we know.
-How to get to the real/origin of the copy.
-How our investment in these brand image effect us as people.
-Brand image- the unreal having an effect on the real world- how we taste, Coke and Pepsi taste challenge.
-Baudrillard- Post Structuralism
-Guy Deboed-Society of the Spectacle- how society becomes increasing unreal, society that lives around spectacular imagery of life instead of real life itself.
-People are investing in fake realities
-Marx-analysing commodity culture.
Commodity-use value and exchange value
-Baudrillard
Commodity- use value and exchange value and sign value
-Sign value- all the things that something conotes.
-Advertising and brands try to add sign value to their products.
-Simulacra and Simulation (18981)
Simulacra is a copy of something, a stand in for something that it replaces.
The Coca cola santa is a simulacra of the myth of santa, it replaces this myth with this image.
It supersedes the original, makes it hard to tell the original from the copy.
-When simulacra is copied from simulacra to simulacra you get a hyperreal. When the original is no longer known.
-The copy is not produced by something real, the copies are produced from the copies. Reality is produces from simulacra instead of the other way round.
-The Sleeping Beauty Castle, Disneyland- Walt Disney took inspiration from a real castle in Prague, it was from a real place and it was a real castle. He made drawing of this, simulacra, and added more fairytale features, making a hyperreal. People visit it because they know its the inspiration for the Disney castle, the copy is influencing the real world.
-The Christmas Markets- Marketing Germany to the English market, they made a light hearted version of the Frankfurt market, they made a copy of a market, a simulacra. Nearly every city in the UK have one, so its a copy of a copy, a copy of the first one in Birmingham. The one in Birmingham is three times bigger than the one in Frankfurt, its more popular than the original. You would be disappointed with the reality if you went to the original one in Frankfurt because it wouldn't have everything the UK ones have.
-New York City- You think its a romantic idea because you have seen it on a film, your idea comes from a movie which is a simulacra of New York itself.
Can we ever get an original idea of New York for ourselves.
-We'd rather stare at the wall of Platos cave then face the harsh reality.
-The Gulf War Did Not Take Place
-The Illusion of the End: September 11th 2001
The Gaze
-'men act and women appear. Men look at women. Women watch themselves being looked at'
(Berger 1972)
-Our society is a Panopticon for women.
-Hans Memling- 'Vanity' (1485)
You can look with out being seen your looking, the gaze is not being returned. Allows us to objectify.
-All art at this time was by men, and all the people buying art would of been men.
Men are in the dominant position.
-Visual culture has always been dominated by men.
-Its an excuse for men that they can dominate women.
-To be an artist in 1863 you have to exhibition at salon where your work would be judged, you had to hit a certain number of conventions.
-Birth of Venus & Olympia-
Venus doesn't return the gaze
Olympia returns the gaze, she challenges the gaze
The body language is different.
Venus is a fantasy scene.
Olympia is a prositiute, she is the reality.
Venus is a fiction of patriarchal society.
-Pornography is the domination of men over women.
-Marxist analysis- these things are produced because men rule society.
-The whole of culture becomes a giant panopticon.
-Sex becomes hyperreal.
-Prisoners kept in the cave, all the can see is the shadows that are cast on the wall of the cave.
-The prisoner believe the shadows to be reality, its all the know.
-It realities to our society in the way that mass media is shown to us.
-This is where Baudrillard project starts- how un-reality masks reality.
-How commodity cultures create alternative realities, which makes reality hard to access.
-Haddon Sundblom illustrations- Coca-Cola adverts
They give santa a red and white outfit, this is the image of Santa that is always seen and used, Coca Cola made santa red and white, they picked one story and made that the reality that this has always been the father christmas we know.
-How to get to the real/origin of the copy.
-How our investment in these brand image effect us as people.
-Brand image- the unreal having an effect on the real world- how we taste, Coke and Pepsi taste challenge.
-Baudrillard- Post Structuralism
-Guy Deboed-Society of the Spectacle- how society becomes increasing unreal, society that lives around spectacular imagery of life instead of real life itself.
-People are investing in fake realities
-Marx-analysing commodity culture.
Commodity-use value and exchange value
-Baudrillard
Commodity- use value and exchange value and sign value
-Sign value- all the things that something conotes.
-Advertising and brands try to add sign value to their products.
-Simulacra and Simulation (18981)
Simulacra is a copy of something, a stand in for something that it replaces.
The Coca cola santa is a simulacra of the myth of santa, it replaces this myth with this image.
It supersedes the original, makes it hard to tell the original from the copy.
-When simulacra is copied from simulacra to simulacra you get a hyperreal. When the original is no longer known.
-The copy is not produced by something real, the copies are produced from the copies. Reality is produces from simulacra instead of the other way round.
-The Sleeping Beauty Castle, Disneyland- Walt Disney took inspiration from a real castle in Prague, it was from a real place and it was a real castle. He made drawing of this, simulacra, and added more fairytale features, making a hyperreal. People visit it because they know its the inspiration for the Disney castle, the copy is influencing the real world.
-The Christmas Markets- Marketing Germany to the English market, they made a light hearted version of the Frankfurt market, they made a copy of a market, a simulacra. Nearly every city in the UK have one, so its a copy of a copy, a copy of the first one in Birmingham. The one in Birmingham is three times bigger than the one in Frankfurt, its more popular than the original. You would be disappointed with the reality if you went to the original one in Frankfurt because it wouldn't have everything the UK ones have.
-New York City- You think its a romantic idea because you have seen it on a film, your idea comes from a movie which is a simulacra of New York itself.
Can we ever get an original idea of New York for ourselves.
-We'd rather stare at the wall of Platos cave then face the harsh reality.
-The Gulf War Did Not Take Place
-The Illusion of the End: September 11th 2001
The Gaze
-'men act and women appear. Men look at women. Women watch themselves being looked at'
(Berger 1972)
-Our society is a Panopticon for women.
-Hans Memling- 'Vanity' (1485)
You can look with out being seen your looking, the gaze is not being returned. Allows us to objectify.
-All art at this time was by men, and all the people buying art would of been men.
Men are in the dominant position.
-Visual culture has always been dominated by men.
-Its an excuse for men that they can dominate women.
-To be an artist in 1863 you have to exhibition at salon where your work would be judged, you had to hit a certain number of conventions.
-Birth of Venus & Olympia-
Venus doesn't return the gaze
Olympia returns the gaze, she challenges the gaze
The body language is different.
Venus is a fantasy scene.
Olympia is a prositiute, she is the reality.
Venus is a fiction of patriarchal society.
-Pornography is the domination of men over women.
-Marxist analysis- these things are produced because men rule society.
-The whole of culture becomes a giant panopticon.
-Sex becomes hyperreal.
Thursday 26 January 2012
Jean Baudrillard and Postmodernism
Aim-To examine and contextualise Jean Baudrillard's theory of hyperreality.
-The Matrix- What is Real.
-Marx- our involvement of the world= labour, our experiences are conditioned by our experiences.
-Products to commodities, exchange value.
-Money- exchange relation, abstraction of use value.
-Trading and exchanging-market places/money.
-Our relationship with the world becomes indirect.
-Directing engaging with the world around you is destroyed by capitalism according to Marx.
We have to sell ourselves in order to survive.
-A simple object becomes a commodities.
-In the post war environment there was a boom in production.
-Berger-Ways of Seeing
-Use Value
-Concept (Signified)
Sound-Image (Signifier)
'Hyperreality is used in semiotics and postmodern philosophy to describe a hypothetical inability of consciousness to distinguish reality from a simulation of reality, especially in technologically advanced post-modern societies. Hyperreality is a way of characterizing what our consciousnessdefines as "real" in a world where a multitude of media can radically shape and filter an original event or experience. Some famous theorists of hyperreality include Jean Baudrillard, Albert Borgmann, Daniel Boorstin, and Umberto Eco.'
http://en.wikipedia.org/wiki/Hyperreality
'Simulacra and Simulation is most known for its discussion of symbols, signs, and how they relate to contemporaneity. Baudrillard claims that our current society has replaced all reality and meaning with symbols and signs, and that human experience is of a simulation of reality. Moreover, these simulacra are not merely mediations of reality, nor even deceptive mediations of reality; they are not based in a reality nor do they hide a reality, they simply hide that anything like reality that is irrelevant to our current understanding of our lives. The simulacra that Baudrillard refers to are the significations and symbolism of culture and media that construct perceived reality, the acquired understanding by which our lives and shared existence is rendered legible; Baudrillard believed that society has become so saturated with these simulacra and our lives so saturated with the constructs of society that all meaning was being rendered meaningless by being infinitely mutable. Baudrillard called this phenomenon the "precession of simulacra".'
http://en.wikipedia.org/wiki/Simulacra_and_Simulation
-The Matrix- What is Real.
-Marx- our involvement of the world= labour, our experiences are conditioned by our experiences.
-Products to commodities, exchange value.
-Money- exchange relation, abstraction of use value.
-Trading and exchanging-market places/money.
-Our relationship with the world becomes indirect.
-Directing engaging with the world around you is destroyed by capitalism according to Marx.
We have to sell ourselves in order to survive.
-A simple object becomes a commodities.
-In the post war environment there was a boom in production.
-Berger-Ways of Seeing
-Use Value
-Concept (Signified)
Sound-Image (Signifier)
'Hyperreality is used in semiotics and postmodern philosophy to describe a hypothetical inability of consciousness to distinguish reality from a simulation of reality, especially in technologically advanced post-modern societies. Hyperreality is a way of characterizing what our consciousnessdefines as "real" in a world where a multitude of media can radically shape and filter an original event or experience. Some famous theorists of hyperreality include Jean Baudrillard, Albert Borgmann, Daniel Boorstin, and Umberto Eco.'
http://en.wikipedia.org/wiki/Hyperreality
'Simulacra and Simulation is most known for its discussion of symbols, signs, and how they relate to contemporaneity. Baudrillard claims that our current society has replaced all reality and meaning with symbols and signs, and that human experience is of a simulation of reality. Moreover, these simulacra are not merely mediations of reality, nor even deceptive mediations of reality; they are not based in a reality nor do they hide a reality, they simply hide that anything like reality that is irrelevant to our current understanding of our lives. The simulacra that Baudrillard refers to are the significations and symbolism of culture and media that construct perceived reality, the acquired understanding by which our lives and shared existence is rendered legible; Baudrillard believed that society has become so saturated with these simulacra and our lives so saturated with the constructs of society that all meaning was being rendered meaningless by being infinitely mutable. Baudrillard called this phenomenon the "precession of simulacra".'
http://en.wikipedia.org/wiki/Simulacra_and_Simulation
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